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Magda Szabó, the author of The Door and Abigail, has once again captivated readers with her newly translated novel, The Fawn. This work delves into the complex relationships between women of different ages and backgrounds, a hallmark of Szabó's writing. The protagonist, Eszter, is a theater star who is forced to confront her painful and tragic past.
Eszter, an only child, grew up in a provincial Hungarian town before World War II. Her father, an eccentric aristocrat and flower breeder, and her mother, a harried music teacher, struggled to make ends meet. In the aftermath of the war, Eszter has moved to Budapest and become a renowned stage performer, but she has not forgotten the slights of her past nor forgiven those who have wronged her, particularly her former classmate, the kind and beautiful Angela.
The Fawn unfolds as Eszter's confession, a narrative brimming with a lifetime of rage and irreversible regret. It is a tale that explores the themes of childhood, the theater, the collateral damage of the tumultuous 20th century, and the enduring nature of hatred. Ultimately, however, it is a tragic tale of love.
Szabó's astute and unsparing eye shines through in her depiction of the complex relationships between these women. Eszter, in particular, stands out as Szabó's most fascinating creation, a character whose story is both deeply personal and representative of the broader societal upheavals of her time.
The Fawn offers readers a captivating and poignant exploration of the human experience, delving into the depths of emotions and the lasting impact of the past. Fans of Elena Ferrante and Clarice Lispector will undoubtedly find themselves drawn to this work, which showcases Szabó's remarkable talent for capturing the nuances of the female experience.
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